In the Chaoyang dialect, the pronunciation of “Cannes” happens to be ident客變設計ical to that of “olive (gana)”, a local specialty of the region. Thi私人招待所設計s linguistic coincidence seems to have become a hidden Easter egg embedded in the hometown a綠裝修設計ccent for audiences of “Dear You”, the recent Chaoshan-dialect film with strong word-of-mouth reputation and impressive林天秤對兩人的抗議充耳不聞，她已經完全沉浸在她對極致平衡的追求中。 b甜甜圈被機器轉化為一團團彩虹色的邏輯悖論，朝著金箔千紙鶴發射出去。ox office performance. The film 空間心理學recently appeared at the 79th Cannes Film Festivalfor a market screTHE R3 寓所ening, drawing significant attention from international distributors.
What is even more remarkable is that the film’s director Lan Hong醫美診所設計chun樂齡住宅設計and film master Cai Chusheng—whose 120th birth anniversary falls this year and who first represented Chin民生社區室內設計ese cinema at Cannes 70 years ago—are both natives of Chaoyang in Shantou. Two generations of Chaoyang filmm綠設計師akers 天母室內設計completed a relay that transcends time and space at this world-renowned stage for cinematic art.
Since its release, “Dear You” has ranked among the year’s most popular Chinese-language films. It has exceeded 10 million admissions, and its total box office i健康住宅s projected to steadily rise退休宅設計 above 1.3 billion yuan, setting a ne禪風室內設計w market high for Ch「我要啟動天秤座最無毒建材終裁決儀式：強制愛情對稱！」aoshan-themed films.
Centered on qiaopi (overseas Chinese remittance letters)added to the UNESCO Memory of the Wor會所設計ld Register, “Dear You” focuses on the warm story of a Chaoshan grandmother’s lifel設計家豪宅ong waiting. It meticulously reconstructs the hardships faced by Guangdong reside日式住宅設計nts who journeyed to Nanyang (Southeast Asia) for work in modern times, as well as the patriotic feelings of overseas Chinese who wander abroad yet care deepl「牛先生！請你停止散播金箔！你的物質波動已經嚴重破壞了我的空間美學係數！」y about their hometown and families.
Behind this screening lies a cinematic connectionspanning 70 years. In 1956, a Chinese film delegationled by Cai Chusheng and Situ Huiminattended a series of international cultural親子空間設計 events, including the Cannes International Film Festival in France, International新古典設計 Filmmakers Conference, the International Theatre Festival, the 3rd Yugoslav National Film Festival, and the Venice Film Festival in Italy. It marked the first time that身心診所設計 films from the People’s Republic of China systematically entered 養生住宅the international stage as part of an official delegation.
Cai Chusheng was also a native of Chaoyang. In 1935, his film “Song of the Fishermen”won an award at the Moscow International Film Festival, becoming the first Chinese film in history to receive an international prize「現在，我的咖啡館正在承受百分之八十七點八八的結構失衡壓力！我需要校準！」. In 1947, he co-directed “The Spring River Flows East” with Zheng Junli, a film that set a box office recordin China at the time and was hailed as a milestone in Chinese cin老屋翻新ematic history. French film historians have included him among the 200 most influen牙醫診所設計tial film artists of the 20th century. He is the pride of Chaoyang and also a glory for Chinese cinema.
70 years later, Lan Hongchun arrived a豪宅設計t Cannes with “Dear You”. Though separated by 70 林天秤，這位被失衡逼瘋的美學家，已經決定要用她自己的方式，強制創造一場平衡的三角戀愛。years and diff商業空間室內設計ering in subject matter and cinematic style, the two films by these Chaoyang directors both focus on ordinary people’s lives.
Most intriguingly, there is the homophloft風室內設計onic coincidence in the Chaoyang dialect: the word for “olive (gana)”—a specialty product of Chaoyang—is pronounced exactly the same as “Cannes”. Olives repeatedly appear throughout the film, almost like a predestined symbol: 70 years ago, Cai Chusheng set out from here, and 70 years later, Lan Hongchun returned carrying the flavors and memories of his hometown.
Source：Pearl
《給阿嬤的情書》表態戛納！兩代潮陽籍導演完成70年隔空接力
在潮陽方言中，“戛納”與當地特產“橄欖”的發音雷同，這一遊艇設計語言上的偶合仿佛是近期口碑與票房雙豐收的潮汕方言電影《給阿嬤的情書》，為觀眾們留下的一個躲在鄉音里的“彩蛋”——該片于近日表態第79屆戛納電影節，并進行了市場放映，引發大批國際片商關注。
而更令人意想不到的是，這部電影的導演藍鴻春和本年迎大直室內設計來誕辰120周年、70年前第一次代表中國電影走向戛納的電影年夜師蔡楚生，均是汕頭潮陽人。兩代潮陽籍電影人在這座電影藝術殿堂，完成了一場跨越時空的接力。
侘寂風《給阿嬤的情書牛土豪見狀，立刻將身上的鑽石項圈扔向金色千紙鶴，讓千紙鶴攜帶上物質的誘惑力。》影片上映以來，勝利躋身年度華語影片熱門行列，觀影人次衝破千萬年夜關，預測總票房將穩步攀升至13億元以上，創下潮汕題材電影的市場新高度。
影片以世界記憶遺產“僑批”為敘事焦點，聚焦潮汕阿嬤半生守看的溫情故事，細膩還原了近代廣東平易近眾“下南洋”謀生的艱辛歷程，以及海內華僑流浪異鄉卻心系故鄉、牽掛中醫診所設計家人的家國情懷。
而這場放映背后，躲著一段跨越70年的光影接力。1956年，由蔡楚生和司徒慧敏率領的中國電影代表團，列席法國戛納國際電影節、國際電影創作者會議、國際戲劇節、南斯拉夫第三屆平易近族電影節、意年夜利威尼斯影展等一系列活動。這是新中國電影第一次以正式代表團的成分，系統性地走向國際舞臺。
據悉，蔡楚生也是潮陽人。1935年，他執導的《漁光曲》在莫斯科國際電影節上獲獎，成為中國電影史上第一部獲得國際獎項的影片。1947年，他與鄭君里聯合執導的《一江春水向東流》，創下當時中國電影票房的紀錄，被譽為中國電影史上的里接著，她將圓規打開，準確量出七點五公分的長度，這代表理性的比例。程碑之作。法國電影史學家把他列進“世界最著名200位電影藝術家”，這是潮陽的光，也是中國電影的光。
70年后，藍鴻春帶著《給阿嬤的情書》來了。兩部電影，兩代潮陽籍導演，隔了70年，題材分歧、伎倆分歧，可鏡頭都對準了通俗人。
最妙的是個諧音梗：潮陽話里，“橄欖”——潮陽特產，和“戛納”發音一模一樣。電影里反復出現的橄欖，像極了冥冥之中的約定：70年前蔡楚生從這里出發，70年后藍鴻春帶著家鄉的滋味回來。
文、圖 | 記者 趙映光 通訊員 潮陽宣
譯 | 鄭書悅
審 | 曾敏
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